Kaitlin Saunders

Lydia Sans™ is an elegant geometric sans serif with a charming profile and organic flow. Inspired by the clean typography of the 1920s, it's character and legibility make it suitable for any kind of text applications, from brand design to extensive text layouts.

Lydia Sans™ has 22 styles, variable font technology and its weight range spreads from hairline to ultra bold forms. Flexible and adaptable, it covers 230+ languages, including extended Latin, Cyrillic and Greek writing systems. With over 1300 glyphs per style, its Opentype features include alternative shapes, small caps, standard and discretionary ligatures, localised forms in Latin and Cyrillic, case sensitive forms, numerators and denominators, proportional and tabular figures, slashed zero, fractions and more.

As a workhorse type system, Lydia Sans™ is a sans serif for everyday use and a great choice for a wide range of applications.

• Suggested uses: perfect for brand design, editorial design, web design and packaging design;

• 22 styles: 11 weights + 11 italics.

• 2 variable fonts;

• 1315 glyphs in each weight;

• OpenType features: Access All Alternates, Small Capitals From Capitals, Contextual Alternates, Case-Sensitive forms, Glyph Composition, Discretionary Ligatures, Denominators, Fractions, Standard Ligatures, Lining Figures, Localised forms, Numerators, Oldstyle Figures, Scientific Inferiors, Small Capitals, Stylistic Alternates, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Stylistic Set 8, Subscript, Superscript, Tabular Figures, Slashed Zero;

• 220 languages supported (extended Latin, Cyrillic, Greek alphabets).

A font based upon my own handwriting (when I am concentrating and making each letter legible!)

Very suitable for anything that needs a handwritten feeling. I've added 4 (slightly) different versions of each lowercase letter, and that really helps making your text look more like real handwriting rather than "just a font"

"Weekday Mornings" are the 2 first words from the song "Nancy" by Prefab Sprout. Just like the song, the font has a romantic theme and could be considered as "easy listening". Well, I've added 7 slightly different versions of each letter, enough to make the font look like the real handwriting which was the base of the font.

Fun fact: I had this song on repeat when finishing the font. I still do love that song! :)

This font was made while listening to The Cure, and taking a trip down memory lane. However, the particular song I had in mind naming the font after, was already taken. But perhaps you can figure out which song I had in mind?

Uomo is a contemporary typographic system that explores sans geometric style and italian art deco that allows to combine four widths and three weights. Includes small caps and extras with illustrations, ornaments and words to design with no necessity of external elements. From the refined and classic to the post modern and vernacular in one only family.

-Concept, Typedesign Direction, Specimen Design & Illustrations: Miguel Hernández Montoya.

-Font Production: Tania Chacana & Miguel Hernández Montoya.

A.B.C. Founders offers not only limited sale but Permanent Popular Prices per License. The Uomo family, Tailored with Love.